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Indian
Summer
Daily Express
‘Many
great writers have written about their time in the East: Somerset
Maugham, EM Forster and Rudyard Kipling among them. Even if he never
writes about India again, Will Randall should be added to this illustrious
list.’
Critic’s
Choice, Daily Mail
‘
The start of this book finds Will Randall trying to make a new start.
Having ambled his way to his mid 30s, teaching in quiet rural schools
and then working for a charity in the Solomon Islands, he heads
off for London and a new career as… well he’s not quite
sure. Maybe something in the City?
Not surprisingly,
he drifts back into teaching, but this time in a dilapidated and
scary London comprehensive.
Understandably
enough, he seizes the chance to resign when he is offered a free
trip to India, courtesy of a formidable lady with a formidable name,
Maria-Helena von Wurfelwerfer, who employs him as a travelling companion.
The job ends
in Chapter Two when Randall delivers her and her many matching bags
safely into the arms of the elderly maharajah boyfriend who awaits
her at Poona.
Which means
the author now finds himself in Poona, for no good reason and with
absolutely nothing to do.
Fortunately
Randall is blessed with the travel author’s paranormal gift
for having dramatic things happen to him and soon he is being accosted
in a café by a complete stranger who wants to show him an
ashram for orphans.
Randall is
led into the heart of one of Poona’s shanty towns and is introduced
to a clutch of beautiful, funny, heart-breakingly poor children.
One chestnut-eyed girl holds his face. ‘You very nice man,’
she whispers.
‘Of course,
it was hopeless,’ Randall reflects. ‘I was hooked.’
He enlists himself as the ashram’s English teacher.
In marked contrast
to the spoiled thugs he had to deal with in London, the children
from the Poona slum are unfailingly sweet and plucky in the face
of terrible deprivation and loss.
One heart-rending
case is that of Dulabesh, a little boy who let go of his mother’s
hand at a crowded railway station, wandered onto an inter-city express
and lost her forever.
Somehow even
the brother and sister who were effectively orphaned when their
father pored kerosene over their mother and set her alight are grateful
for every small mercy.
And, somehow,
despite their tragic, appalling lives, all the children have retained
an innocence long lost to any Western kid whose idea of hardship
is not owning a Playstation..
The innocence
of these children shines through everything they do – in the
name they give their goat (Beckham) for example, or in little Tanushri’s
worship of the pop star she calls ‘Maradona’. It also
explains Randall’s unpaid devotion to their cause. Soon this
involves much more than teaching the children English. Threatened
by ruthless landowners who want to knock down the entire slum the
ashram need money to buy its own land and buildings.
A scheme is
concocted to put on a play as a charity event. Inevitably the hapless
Randall is roped in as the alleged director of what is to be a very,
very abridged version of the Indian epic, the Ramayana.
At which point
Randall is again visited by the travel writer’s godmother
who waves her wand and has him whisked away, by a bizarre chain
of events, into a new adventure as a Bollywood actor.
This comic
interlude over it’s back to the ashram for an outing to a
cricket match then those last-minute, nerve-wracking preparations
for the school play and – finally – its triumphant performance.
In spite of
Randall’s convenient knack for stumbling across great stories
and characters, it still requires skill and tact to avoid coming
up with self-serving smugness or a hand-wringing rant. This book
is neither. Indian Summer is an engaging account of an India that
most people try to ignore – an India of ramshackle huts, raw
sewage, dire poverty and gnawing hunger.
It is in this
India that Randall found inspiring goodness – and with it
the material for a fine and moving book.’
Observer Books of the Week
‘….
The style is light and avoids the tedious introspection of many
travelogues. Nor does Randall succumb to the temptation in Bill
Bryson fashion. Instead, it’s his evocation of the glorious,
multi-coloured chaos of India that widens the eye, and his good
nature towards all things and all men that leaves the heart warmer.’
Ink
‘…
delightfully funny…this wonderful book captivates from the
start. In capturing the unique energy, vibrancy and optimism of
the inhabitants of this poverty-stricken world, Randall imparts
valuable life lessons to his readers.’
Scotland
on Sunday
‘…
Readers wishing for a proxy, palpable, virtual-reality version of
India will find it on page after page… [Randall] does not
skimp on the dark, sad nature of survival and how its dividend is
brutality – despite which his version of India aspires to
be elegiac as well as chaotic. Well worth the read.’
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